Enhance your picture taking experience A selection of 10 special filters lets you create distinctive photo effects. Filter effects can be verified on the LCD monitor to ensure you get exactly the results you're shooting for. 8 types* of advanced filter can also be used in movie recording. In addition to a wide range of shooting modes, the FinePix S1 offers a selection of versatile scene positions that ensure optimum results no matter what the scene. Frame your shot and SR AUTO intelligently recognizes the scene and selects the ideal settings. The easiest mode for taking pictures. Use this for ordinary photography. Ensures the ideal camera settings to match the shooting scenes. Sweep the camera right or left to create panoramic image. Automatic mode to specify the settings except for the shutter speed and aperture setting. An automatic mode to set the shutter speed. This mode is a shooting mode with user settings. An automatic mode to set the aperture.

This mode provides more detailed settings that are impossible to set in Auto mode. Set for shooting portraits. Skintones are softened as it enhances the overall natural look. Best for shooting scenery in daylight capturing clear and sharp shots of buildings and mountains effectively. A quick recognition of persons in motion or objects for a faster shutter speed to help you catch the perfect moment. Mode for shooting evening and night scenes. A picture is taken with a slow shutter. Clear shots of twilight scenes using tripod. Effective for taking shots of fireworks with a slow shutter speed. Capture sunset scenes vivid in color. Most adaptable to snow scenes without unnatural darkened images or where the whole screen appears white. Clear shots of people without darkened images under strong sunlight. Best for shooting indoor weddings or parties. Retains the natural ambience in low-light conditions. Capture a clear close-up shots of blooming flowers rich in color.

Clear shots of letters on a document or white board. In addition to default JPEG file format, the FinePix S1 also offers the option of RAW or RAW + JPEG image formats. SILKYPIX® viewer and RAW conversion software is included for effortless management and conversion of RAW image data on your PC. Simultaneously record captured images in both RAW format for post-processing on your personal computer and JPEG format for easy distribution. Just sweep the camera right-left or up-down to shoot giant panoramas up to 360°. Tire Dealers MontrealWhen you view the panorama playing back on your camera or personal computer, you can enjoy a seamless panorama image with both ends stitched together to create a “cylinder” view.Inexpensive Moving Cards This mode uses Multi Frame technology to capture three consecutive photos shot at high speed-under-exposed, normal exposure, and over-exposed. Short Wedding Dress Petticoat

The three images are then layered to an optimum balance of detail in shadow and highlights, eliminating "blackout" or "washout" and producing pleasing, natural gradations. Enables three shots to be taken at the single press of the button, at varying degrees of magnification (original, 1.4x and 2.0x). This enables instant editing on the camera to choose the ideal shot, rather than having to go back to a PC to facilitate a digital crop. Natural Light & with Flash Can't decide whether it's best to use flash? Choose this mode, press the shutter and automatically capture the same scene twice: once with high sensitivity and natural light, and the second time with Intelligent Flash. Later choose one or keep both! Ideal for shooting non-moving subjects in low light, this mode automatically takes a series of four high-sensitivity & low-noise exposures and then combines them into an image with less noise than the single exposures. Face Tracking Auto Focus Face Detection couples with Tracking Auto Focus for new ways of capturing great people pictures, even when those people won't stop moving.

Face Detection optimizes focus and exposure to ensure bright, clear faces, while Tracking Auto Focus maintains sharp focus on moving subjects. The result is attractively exposed, well-focused photos. Face Detection optimizes people pictures by detecting faces and adjusting focus and exposure to ensure bright, clear results. Red-eye Removal in Detected Faces Red-eye removal automatically detects and corrects flash reflection for a perfect end result. Instantly Detect up to 10 Faces! The Face Detection can simultaneously recognizes up to 10 faces in a photo. Share your group portraits using the zoom up function in playbacks, checking each detected face. Each priceless expression can be cropped and saved in clear high resolution results. Up to 100 pictures can be viewed at a time in a 10x10 array of micro thumbnails. Convenient for smooth and comfortable playback. Don't wait until you get home to start choosing which pictures to upload to Facebook. Start the process in camera by tagging the pictures you want to share.

The next time you connect to your home computer your images will upload automatically. The same goes for movie clips too, which can also be uploaded to YouTube™. Easy Web Uploading to YouTube™ and Facebook via MyFinePix Studio It's as easy as one, two, three. Shoot pictures and tag them for upload to your Facebook profile page or YouTube™ account. When the FinePix S1 is connected to a PC, the marked images are uploaded to the designated site, eliminating the need for time-consuming PC-based image processing or selection. MyFinePix Studio Automatically Searches for New Images to Upload for You MyFinePix Studio detects new images to upload. When finding new image to upload, the uploader starts automatically. Sample photos are simulated images. * Pop Color, Toy Camera, Partial Color, High Key, Low Key, Fish-Eye, Dynamic Tone and Soft Focus filter can be used. Only in post shooting view.Shooting in raw is one of the best ways to have total control over your images in post-processing.

A raw file is the image as seen by the camera's sensor. Think of it like unprocessed film. Rather than letting the camera process the image for you, turning it into a JPEG image, shooting in raw allows you to process the image to your liking.Applying adjustments to a raw image is a non-destructive method of editing your photos, unlike editing a JPEG.Want the best of both worlds? Some digital cameras will let you shoot in raw + JPEG mode, capturing the raw image while simultaneously processing a JPEG image for easy use.Remember that not all raw files are created equal, as different manufacturers will more than likely use their own proprietary file formats. For example, Nikon uses the .NEF extension, Canon uses .CR2 and Sony uses .Pentax generally uses the more open DNG format.If you don't have access to raw editing software, there are also a few web-based tools that can help, such as WebRaw and Pics.io.For this tutorial we will be using Adobe Camera Raw and Photoshop CC, but the principles should be very similar for whichever editing program you use.

When you open up the raw image in Photoshop, Adobe Camera Raw will automatically start. The window will look something like this:From here, you can adjust values such as the exposure and temperature. Move the exposure slider to simulate the effect of adjusting your exposure in-camera. The results will be automatically reflected in the image.Notice that as you adjust most of these settings, the histogram will also change.One of the most important reasons for shooting in raw is to be able to recover image detail in case something goes wrong. Blown out your exposure so there are white patches of highlights everywhere? You probably will be able to bring some of this detail back thanks to the raw file.In the example below, you can see from the histogram that there are clipped highlights in the sky. If you need help reading your histogram, this article explains more.The highlights slider is the key here; moving it further to the left will bring back detail that was lost from the blown out highlights.

Extra image detail can be recovered by adjusting the exposure slider as well.The same process can be used to bring back shadow detail in underexposed areas. To recover shadow detail, use the same technique as for recovering highlights. Simply move the slider until you see detail appearing again.Rather than setting a white balance value in the camera, when you shoot raw you can use any white balance setting and then adjust it in post-processing. From the Camera Raw interface, choose an option from the drop-down menu that best suits your needs.There is another tool available in Camera Raw that provides white balance adjustment -- the white balance dropper. At the top of the window, simply select the white balance tool, and click on the part of the image that should be white. Then, Camera Raw will automatically adjust the colour temperature to make that component a true white. This is exactly the same as taking a manual white balance reading in-camera.The examples above have mostly been working with images with quite obvious faults.

Sometimes, there may be nothing wrong with your image at all but it looks a bit dull. Here is how to make an image pop with a few simple tweaks to the raw file.Below is an image taken on the camera's metered exposure. It looks OK, but could use a bit of work to make it look even better.First, let's brighten things up a bit by increasing the exposure. I have also brought up the contrast a bit.The image still looks a bit cool, so I'm going to change the white balance option to warm things up a bit. For outdoor situations, the cloudy white balance preset adds a more warmth to the scene. You could also achieve a similar effect by moving the temperature adjustment slider. I have also taken this opportunity to pull up the white value, and recover some of the lost highlights in the wall by bringing down the highlight slider.Finally, to really make things look defined, boost the clarity slider a little bit to the right. The clarity tool looks for edges and defines midtone contrast. Use it sparingly for the best results.