How to Hang Heavy Mirrors and Pictures on a WallIn this video, we show how to use a special plastic anchor called a “wingit” to hang heavy items on drywall.  You can hang heavy mirrors, pictures, other artwork, a projector screen, curtain rods, and many other heavy items with this anchor.  The trick to how it works is that it flares open behind the wall, anchoring itself against the back of the wall to hold your item securely in place.  It can support up to 300 lbs!Watch this video to see how wingits (winged anchors) work!by See Jane Drill, Copyright 2016, All Rights ReservedHow to Hang a Painting | A Free Guide From Xanadu Gallery Posted in Art Marketing For Artists, Collective Wisdom Hanging & Aligning Pictures Having thought through the rules governing the aesthetics of hanging pictures, I have come to the conclusion that most of it boils down to people worrying about things falling on Pictures of equal size generally work best when aligned horizontally side-by-side.

Whether they are landscape format [fig. 01] or portrait [fig. 02], they work best when side-by-side. I think this probably stems from the feeling of a painting as almost being aWhen looking out a series of windows, it feels far more natural to move sideways and see a continuation of an outside scene than to look up or down above or below to another window.Mirror Fell Off The Wall The exception to this is where the space availableTwo Seater Sofa Ikea dictates that another solution is more logical.Mens Golf Shoes At Walmart For instance, if we have three small square pictures and a door-sized piece of wall free at the end of a corridor [fig. 03], then a vertical stack is far more elegant as it

mirrors the space it occupies [fig. 04]. So far this had been an easy task, as we have been dealing with identical sized/shaped pictures. It is always best to select similarsized/shaped pictures to hang together anyway, but this is not In traditional picture framing, a larger gap is always used at the foot of the image than at the reason for this is that the space adds weight to the look of the piece and so a top heavy frame gives the uneasy look that the picture is about to fall So, hanging same-sized, same-shaped pictures is easy, but what about when we start to mix it up Three simple rules apply: 1) Larger/landscape pictures always go above smaller/portrait 2) Align Horizontally from the top. 3) then Vertically from the middle unless there is single column, in which case align from a side logically suggested by the space being occupied. Here we have four awkward pictures to align. no alighn by teh outside edges as the internal spacing

becomes sloppy looking [fig. Many people are initially tempted to select the second one down here as looking nicer [fig. However, the human eye prefers level horizontal lines over vertical as weÕre happier seeing a levelAlthough the second one down looks neat, the internal cross balance is not as visually calming as the two top aligned rows from the third example Stand farther away and look at the overall balance. Here's an example of the background dictating usage The door is as strong a visual element as the pictures and so must be considered when aligning frames. You could try and argue the casefor the middle example [fig. 10] by stating that the left-aligned arrangement is contrasting and opposing the line of the door and The trouble with 'making statements' is that they can visually tire quickly and look like you're over-trying In contrast, the simple elegance of the bottom example [fig. 11] is timeless.

Also look out for smaller objects such as light switches, thermostat dials and clocks. These can all throw out arrangements and set their own lines of alignment to follow. With a single landscape and a single porttait, hang side by side or [fig. 13a], if thereÕs no space for that, hang the landscape above and side align the portrait The portrait hangs calmly from the landscape. If we place the portrait on top, it looks dangerously as if it could topple. Similarly, centre aligning the portrait under the landscape loos like it might visually topple [fig. Here, although each row is aligned, overall weÕre looking a little heavy to the left and we might worry about the wall staying up [fig. So we hang from the top-middle, landscape above portrait, and then move from the middle outwards [fig. 16]. At some point, most people will attempt to hang a line of pictures up the stairs and there are various

ways people do it... most of them wrong. A straight horizontal line proves tricky when hanging those high up pictures and no one can see A vertical stack is a bit overbearing and you have to stand craning your neck up to look at them [fig. Obviously, most people realise that a diagonal line is the best balance. it is temptingto go corner to corner. will create a 45 degree line and most stairs are a much shallower angle than this [fig. Even worse is where people matchup corner to cornerYou end up with a crazy design that will go randomly [fig. aim is to find the pivotal weight of the picture (about two thirds of the way up) and hang this line along the same angle as the stairs. At home we have a triptych of John Miller beachscapesBecause they are coming away from a wall at left we balance that off with a large to small arrangement from left to right. The rules of hanging pictures would dictate that